GARY HILL

WALK OF SHAME

22.03.25

At the heart of Paella Fest III, amid the aroma of simmering rice and the echoes of raw flamenco, Space 24 at Art & Design District Palma became a portal for introspection with Gary Hill’s latest installation, Walk of Shame (2023-25).

The work unfolded on an unfinished screen, a surface in progress that exposed the rawness of the space: bare walls, uneven textures, and the inherent uncertainty of the studio as part of the narrative. In this incomplete setting, the projected image took on an almost spectral presence, blurring the boundaries between what is revealed and what remains hidden, between what is yet to be said and what is left unsaid.

Walk of Shame (2023-25) becomes an exploration of abstract mourning, a confrontation with a void that has neither name nor immediate cause. Through a fractured monologue, the artist grapples with the vertigo of consciousness, the fragmentation of thought, and the relentless desire to find an anchor.

I arrived just a short time ago. No complaints. After a few customary greetings and basic logistical planning, with little pause, I began to eke out a point from which to begin. Recently having been stricken with gut wrenching grief I had to keep moving…remain occupied. My nerves were raw and no doubt my condition was apparent to the naked eye.

That it was a kind of abstract grief made it far more difficult to overcome. I hadn’t lost a loved one, no one around me had been in an accident or become terminally ill. I hadn’t awakened from a nightmare and nothing earth-shattering had taken place to speak of. Nevertheless, I struggled to stay on track. I became hyper-fixated on my breathing, had I just exhaled or inhaled? Was I a fish with gills and didn’t know it? Am I swimming in dark waters unaware of what I actually am?

The full splendor of an arcane night had begun, or so I thought. The velvet moment was once again deferred by the blossoming of a full moon. I sat, accompanied by the peaceful sound of light rainfall, my saving grace had been delivered—perseverance.

Whatever I was to build now would be from scratch— no hidden stones to turn or otherwise. Admittedly, deep down I remained skeptical. I couldn’t help myself from secretly wanting to hold back…something. Whatever that “something” is may very well be the impulse I’m looking for. And yet, in that instant, I wasn’t prepared to give myself away.

Before me were less than ambitious beginnings seemingly left behind—small, incomplete structures—strange shrines, discarded debris playfully arranged by wandering minds; a pile of old stones carefully balanced—an act that could pass someone’s entire day.

I longed to find a momentary refuge where time virtually stops.

Anything to avoid what I knew were necessary decisions without which I would have a catastrophe on my hands.

All it would take could literally be a single word—one word that flickers and awakens others hovering close by as if in waiting.

Of course, it would only be in hindsight that it would seem to have originated from one bit of the logos and yet in the thick of it I couldn’t deny that its subsequent quickening of a linguistic swarm didn’t give hope of a beginning.

I was desperate for release—something out there without question would speak to me in a singular way, an exquisite way, a perfect way, that I can’t explain nor do I want to, nor would I if I could.

Hesitantly, I proceeded to cordon off a selected area to activate. I tagged a few things that might be useful interventions, prompts, triggers, further inklings that could finally set an undeniable course.

Once I had entered a certain modality, I realized I had done a terrible disservice to the uninitiated. What was I thinking? What were they thinking? “What is thinking?” I muttered to myself…Abruptly, my already fragile state was shaken to the core as I sensed my own comprehension being turned inside out. What is it?

If I were within arm’s length, would my words absorb more of the space? I felt compelled to reach out, anxious for common ground. I yearned for contact, the startle of human warmth in the midst of an intimate gathering. The touch of a hand, arm, a gentle face, fallen hair, fleshy body parts all began morphing quicker with more extreme juxtapositions, refracting, spinning kaleidoscopically until all went black.

I hit the ground. I wait for the earth to quake. Starfish hands suck a grip from tiny crushed rocks. There I am eye level with a dead rodent annihilated by invention, singled out by the giant movements of coincidence. Its body made abstract, unrecognizable save for the eyes, glazed over with the last shutter of life.*

I lost track of my whereabouts. I thought I had counted each turn whether left or right, the degree of angle and number of steps of each segment—like playing blind chess—keeping track of all the moves. If one is dropped the entire strategy evaporates.

I tried retracing my steps and recalled two additional rooms I had overlooked, or for reasons that don’t come immediately to mind, I purposely avoided. In one case, as strange as it sounds, I’m not at liberty to say—anything. As I passed by the second, I could hear a murmur of voices. I resisted the temptation to press my ear to the wall and regretted it for the rest of the afternoon.

There was one free standing wall that blocked my way and forced my directional hand… I’m not entirety convinced it was a wall; it appeared to be more like a reflection from elsewhere. Closer inspection revealed a meticulous arrangement of defected mirrors. I couldn’t fathom what the purpose might be. Perhaps it was built by some industrious children with no specific results in mind.

I couldn’t help but stare into the sun of the day. A path of diamond-like sparkling entities danced before it to what one could only imagine—a song of the sirens.

Another day passes while another awakens, a field of shimmering mirages evokes cinematic nostalgia and one smeared dream of your own.

Abruptly, eyes about-face.

Gary Hill Walk Of Shame (2023-25)